plain ketchup 1
As promised, here’s the list of what-all I’ve added to my collection since the last time I posted one of these omnibus roundups. As always, the sources are various: Amoeba, Boomkat, the Amazon MP3 store, Mutant Sounds, Dualtrack, The Thing on the Doorstep, No Longer Forgotten Music, The Soundhead, Phoenix Hairpins, and What Fucked You. Some of them are duplicates from the last list big list I posted because I purchased copies of things I had downloaded to check out (like the excellent Au Revoir Simone album).
Some of you may notice that despite my fevered excoriation of Death in June (or, you know, ambivalent musings thereon), there’s a hearty selection of their music here. I decided I needed to hear more of their stuff for myself, and I have to say, extended exposure to their music reinforces my conviction that they’re purposefully playing games with their listeners in a way I find unconscionable, even if some of the (earlier) songs scratch a very specific, Joy Division-esque itch deep in my head. This is something Jessica Hopper deals with obliquely, in the context of indie hipsters becoming fans of black metal bands with questionable beliefs (another thing I’ve had to wrestle with repeatedly over the years).
UPDATE: The conversation continues over Jessica’s way, just as ambivalent and inconclusive as the one that goes on in my head.
Anyway, here’s the list.
- ABC Mutes: Studio Stuff
- Ab Ovo: Empreintes
- Architects Office: 1987: Live
- Architects Office: 9th Year Gala Performance
- Area: Arbeit Macht Frei
- Art & Technique: Diabolus In Mecanica
- Au Revoir Simone: The Bird of Music
- Ballet Mécanique: The Icecold Waters of Egocentric Calculation
- Sir Richard Bishop: While My Guitar Violently Bleeds
- ビジリバ: ビジリバ
- Black Sabbath: Black Sabbath [box set remaster]
- Black Sabbath: Paranoid [box set remaster]
- Black Sabbath: Master of Reality [box set remaster]
- Black Sabbath: Vol 4 [box set remaster]
- Black Sabbath: Sabbath Bloody Sabbath [box set remaster]
- Black Sabbath: Sabotage [box set remaster]
- Black Sabbath: Technical Ecstasy [box set remaster]
- Black Sabbath: Never Say Die! [box set remaster]
- Blue Mathue: Perfect Pictures
- Bogart & S·Core: Pilgrim
- Boys Noize: Oi Oi Oi
- The Breeders: Mountain Battles
- Monte Cazazza: The Worst of Monte Cazazza
- CEDS: Xandosis
- CINdYTALK: Camouflage Heart
- CINdYTALK: In This World
- CINdYTALK: Secrets and Falling
- CINdYTALK: The Wind is Strong
- CINdYTALK: Transgender Warrior
- CINdYTALK: Wappinschaw
- Cardboard Village: Sea Change
- Coil: The New Backwards
- Combo FH: Véci
- Commando M Pigg: s/t
- Confetti: Retrospective
- Crawling Chaos: The Gas Chair
- Crawling With Tarts: Operas
- Crevice: Crevice 1
- Crevice: Think of Pleasant Things
- Curlew: s/t
- De Fabriek & Telepherique: PWZ
- Death in June: The Guilty Have No Past
- Death in June: Burial
- Death in June: Nada!
- Death in June: The World That Summer
- Death in June: Brown Book
- Death in June: 93 Dead Sunwheels
- Death in June: The Wall of Sacrifice
- Death in June: The Cathedral of Tears
- Death in June: Oh How We Laughed
- Death in June: The Corn Years
- Devo: Recombo DNA
- Disrupt: Jah Bit Invasion
- Dom: Fackeln Im Sturm
- Frank Domert: Kiefermusik
- Dorothy: I Confess
- Drahomira Song Orchestra: The Return of 120 Magicians
- Iancu Dumitrescu / David Prescott: split
- Alec Empire: The Golden Foretaste of Heaven
- Enduser: Form Without Function
- Eva-Tone: She’s-A-Wild
- Flipper: Love Canal / Ha Ha Ha
- The Flying Lizards: s/t
- The Flying Lizards: Fourth Wall
- The Flying Lizards: Top Ten
- Folkdove: s/t
- Francisco: Cosmic Beam Experience
- Frequency.m: Fm043
- Genghis Tron: Board Up the House
- Gorilla Aktiv: Umsonst Ohne Risiko
- The Hafler Trio: Ignotum Per Ignotus
- Hajsch: Nagual (für Silvio Manuel)
- Hands To / Eric Lunde: split
- Kevin Harrison: Inscrutably Obvious
- Hula: Black Pop Workout
- Hula: Cut From Inside
- Hula: Fever Car
- Hula: Murmur
- Hula: Freeze Out
- Hula: Get the Habit
- Hula: Black Wall Blue
- Hula: Poison
- Hula: Cut Me Loose
- Hula: VC1
- Indoor Life: s/t
- Linton Kwesi Johnson: A Cappella Live
- Linton Kwesi Johnson: Bass Culture
- Linton Kwesi Johnson: Dread Beat an’ Blood
- Linton Kwesi Johnson: Making History
- Kiss the Blade: The Party’s Begun
- Kiss the Blade: Young Soldier
- Hassisen Kone: Harsoinen Teräs
- Korean Buddhist God: Magnum You
- Korpses Katatonik: Sensitive Liberated Autistiks
- Joachim Kuhn: Cinemascope
- Der Künftige Musikan: Veitstanz
- LAShTAL: Thoum Aesh Neith
- Laddio Bolocko: Strange Warnings of Laddio Bolocko
- Laddio Bolocko: The Life & Times of Laddio Bolocko
- Leviathan: Massive Conspiracy Against All Life
- Liquid Visions: Endless Plasmatic Childhood
- Eric Lunde: V215
- Eric Lunde: Witness to Disaster
- M83: Saturdays = Youth
- Magma: Trilogie Theusz Hamtaahk Live
- The Master Musicians of Joujouka: recorded live in France
- Merzbow & John Hudak: The Time Stream
- Merzbow: Batzoutai With Material Gadgets
- Merzbow: Lowest Music 2
- Mesh: Claustrophobia
- Meshuggah: obZen
- Jeff Mills: Gamma Player, Volume 1: The Universe by Night
- Misson of Burma: Signals, Calls, and Marches [2008 Matador reissue]
- Mnemonists: Gyromancy
- Mnemonists: Roto-Limbs
- Mnemonists: Some Attributes of a Living System
- Monos: Everyday Soundtracks
- Monos: Generators
- Monos: Window
- Monoton: Monotonprodukt 02
- Monoton: Monotonprodukt 07
- Mr. Partridge: Take Away / The Lure of Salvage
- Nailsleeper: Marching Dynamics
- Neung Phak: Neung Phak (Mono Pause)
- Kaiser Nietzsche: Non Plus Ultra
- Hermann Nitsch: Klaviersonate für Arnulf Rainer
- Gary Numan & Tubeway Army: Replicas Redux
- Nurse With Wound: Steel Dream March of the Metal Men
- OAD: Daytona
- The Ocean: Precambrian
- Ora: After Rainfall
- Orchestral Manoeuvres in the Dark: Dazzle Ships [2008 Telegraph remaster]
- Jürgen Paape: Nord Nord-West
- PBK: Shadows of Prophecy / In His Throes
- Pearls Before Swine: The Complete ESP-Disk’ Recordings
- Bob Pegg: Ancient Maps
- Bob Pegg & Nick Strutt: The Ship Builder
- Pekka Streng & Tasavalla Presidentti: Magneettimiehen Kuolema
- PFN: Akasa / Für Cleo
- Phallus Dei: Pontifex Maximus
- Poison the Well: Versions
- Portion Control: Simulate Sensual
- Prag Vec: No Cowboys
- Princess Tinymeat: Herstory: 1984-1986
- Qua: Forgetabout
- Qua: Painting Monsters on Clouds
- The Raincoats: s/t
- Jay Reatard: Blood Visions
- Reyvision: The Sound Cage
- Chas Rose: Child of the Universe
- Jack Rose: Dr. Ragtime & Pals / Jack Rose
- Rosetta: Wake / Lift
- S·Core: A Great Lump
- S·Core: A Jest of Nature
- S·Core: Dross
- S·Core: Dysphonia
- S·Core: Finger Mark
- S·Core: Morbid Moppets
- S·Core: Shedder
- S·Core: Tarnish
- S·Core: Undersong
- Rolf Schulz: Tambora
- Adrian Sherwood: Becoming a Cliché / Dub Cliché
- Sigillum S: Abstraction
- Sigillum S: Dispersion: Sliced Carrions & Pixel Handcuffs
- Sigillum S: Es Database Chronology
- Sigillum S: Mutilated Terrorism
- Sigillum S: Terror-Auto Obstetrics
- Soap-Jo Henshi: s/t
- Social Climbers: s/t
- Somatic Responses: Augmented Lines
- Somatic Responses: Circumflex
- Somatic Responses: Pounded Mass
- Somatic Responses: Touching the Void
- La Sonorite Jaun: Heliae
- La Sonorite Jaune & The Haters: The Interstellar Destroyed Music Mail Project
- SPK: Dekompositiones
- SPK: Live 7 June 1987 Theaterfabrik Manege, München
- SPK: Oceania: In Performance 1987
- Stars & Stips: Nevergreens
- Suburban Lawns: Baby
- Suburban Lawns: Gidget Goes to Hell
- Supersister: Present From Nancy
- Supersister: Spiral Staircase
- Teddy & the Frat Girls: Audio Suicide
- Test Dept. / Brith Gof: Gododdin
- Steve Thomsen: Retrospective II
- Steve Thomsen: Retrospective III
- Throbbing Gristle: Discipline
- Throbbing Gristle: Mission of Dead Souls: The Last Live Performance of TG
- Throbbing Gristle: Subhuman
- Throbbing Gristle: The First Annual Report
- Throbbing Gristle: Throbbing Gristle Live: Volume 1 (1976-1978)
- Throbbing Gristle: Throbbing Gristle Live: Volume 2 (1977-1978)
- Throbbing Gristle: Throbbing Gristle Live: Volume 3 (1978-1979)
- Throbbing Gristle: Throbbing Gristle Live: Volume 4 (1979-1980)
- Torche: Torche [2005 original version]
- Torche: Torche [2007 re-recorded version]
- Torche: Meanderthal
- The Vaselines: The Way of the Vaselines: A Complete History
- Vazz: Your Lungs and Your Tongue
- Vendino Pact: s/t
- Virgin Prunes: A New Form of Beauty
- Virgin Prunes: Over the Rainbow
- Virgin Prunes: …If I Die, I Die
- Voigt/465: One Faint Deluded Smile
- Vox Populi!: Half Dead Ganja Music
- Warning: s/t
- Trevor Wishart: Journey Into Space
- Trevor Wishart: Red Bird / Anticredos
- Xanopticon: Liminal Space
- Yeast Culture: IYS
- Yeast Culture: Rena Leica: The Exposition of Nothing
- Yelle: Pop Up
- Zanov: Green Ray
- Zanov: In Course of Time
- Zanov: Moebius
- v/a: Alchemy
- v/a: Angelica 91
- v/a: Angelica 92
- v/a: Anthology 1: Come Organisation Archives 1979-1981
- v/a: Bogata, Luca & Richman: The Devil’s Trill
- v/a: Dry Lungs
- v/a: Dry Lungs II
- v/a: Dry Lungs V
- v/a: Freedom in a Vacuum
- v/a: Fridge Freezer
- v/a: Hands 2/3
- v/a: La Mort Heureuse
- v/a: Mutant Sounds Whacked-Out Singles: Volume 7
- v/a: No Big Business
- v/a: No Big Business 2
- v/a: PS1 Volume: Bed of Sound
- v/a: Project One
- v/a: Trumpett Sounds
the pleasures of the familiar
So I sorta fell silent and haven’t been posting much lately. This is due, in large part, to having accumulated a huge pile of music that is entirely new to me. It doesn’t help that it would be difficult for me to write about much of this music even given the advantage of intimate familiarity; most of it was obscure to begin with, and is abstract verging on the obtuse. Jazzy krautrock improv from Scandinavia, broad-spectrum wiggly noise bursts, ramshackle protean compositions that were coming unraveled even as they were recorded: these are highly individual outbursts of noise and creativity, and even when they’re affiliated with a time and a place or from a reasonably well-known artist (depending on how well-known you think Nurse With Wound is), they’re difficult to describe.
But that’s not really an excuse or a complete explanation. The simple truth is that spending sustained periods of time listening to music I’ve never heard before erases my ability to talk about music at all. There are albums where I can confidently say, after a single listen, “I like this,” or “this doesn’t interest me,” but for the most part the stuff I’ve been listening to lately resists that kind of immediate judgment. I can tell after hearing Mnemonists’ Horde or Rota-Limbs for the first time that they’re both interesting and exciting, but I lack the words for putting that fascination into concrete terms, and given the tiny audience for this kind of music, just saying “this rox u shud listn 2 it” isn’t going to do much for anyone. Especially when I don’t really know how I feel about it myself.
I think that explains why I’ve fallen off the soundwagon a little in the last few weeks and have spent some time listening to stuff that’s a little less demanding. There have been a number of great new records put out over the last month, too: the Breeders erase time with a miraculously good / unpretentious / direct set of songs on Mountain Battles, as accomplished as anything they’ve done since Safari; Torche’s new record, Meanderthal, is almost as good as their monstrous debut, putting the “thunder” in “thunder pop”; M83 have returned from the wilds of Elektronikaslavia with a newer, sleeker sound and a new album, the aptly named Saturdays = Youth; and a Dutch label has released a remastered version of OMD’s brilliant Dazzle Ships, with its incredibly infectious New Wave hit single that never was, “Genetic Engineering”. These are the things I find myself returning to when the stress of moving (oh yeah – I’m preparing to move me and my enormous pile of media across town) overwhelms my ability to deal with hours on end of square waves and rambling percussive scree.
But I’m going to try to suck it up and deal, both by documenting the enormous piles of stuff I’ve continued to add to my collection, as well as trying to come up with some kind of game plan for talking about it. It’ll probably be fragmentary and incomplete, but that’s what blogs are, aren’t they?
a (very) brief primer on Organum
One of the many fruits of my recent orgy of downloading and purchasing is that it’s put me back in touch with a lot of my favorite industrial and drone music, and among the groups who combine both those tendencies most effectively, Organum has to stand as one of the most impressive and uncompromising. They’ve built up a small pile of releases over the years, many of which are only available as part of compilations, and are not a well-known group even among fans of strange music. It’s not hard to understand why they’re marginal, as their work is fairly inaccessible even by industrial music’s esoteric standards, but every time I listen to an Organum record I find it riveting, a collection of mysterious yet concrete sounds that never overstay their welcome.
To refer to Organum by a plural pronoun is a little misleading; in every meaningful sense the name is just a handle David Jackman has attached to many of his musical activities. Organum’s music has appeared on many collaborative releases (Jackman especially appears to favor split albums), but these days, the best way to find his music is on a couple of CDs, prosaically entitled Volume One and Volume Two, on Robot Records. By “best” I mean “easiest to find”; the downside of listening to Organum on omnibus collections is that many of the original pieces originally stood alone, and stringing them together robs them of some of their power. The perfect amount of time to spend listening to Organum is about 20 minutes. Unlike some of his followers (most notably Jonathan Coleclough, whose music I absolutely adore no matter how long the works are), Jackman has recognized the power inherent in keeping compositions concise.
Jackman’s method is easy to describe, but the net effect is close to indescribable. Typically he combines some kind of mechanical drone (compression fans, electrical motors) with bowed metal (cymbals, saws). It can range from the quietly ominous (“Crux”) to the overpowering (“In Extremis”), but always with the unpredictable shrieks and whines caused by friction against sheet metal. Often there are abstract elements (wordless vocals, feedback) layered over the top. It’s a strict program, and would seem to make for predictable / boring / irritating results, but each recording has its own distinct personality. Despite the mundane origins of the sounds and the plain recording, Organum’s work feels like ritual music, and it is weird in the truest, oldest sense of the word (“suggesting something supernatural; uncanny… connected with fate”).
Much of Organum’s early output was released on Nurse With Wound’s United Dairies imprint, and careful listeners can derive insight into Organum’s methodical approach by comparing and contrasting Organum’s work with Nurse With Wound’s. Steven Stapleton is a curator, a consummate technician and a near-involuntary surrealist; each Nurse With Wound record is a product of laborious tape engineering, even if the original source material is the product of random studio improvisation. By contrast, Organum’s work is relatively static, and it seems as if Jackman sets up the initial conditions for a recording, records a take, and calls it done. You can hear the room in which the music was recorded, as opposed to NWW’s dematerialized (and often chaotic) soundstage.
Most of the Robot Records material is still in print, or at least available, so if you’re curious about Organum, I recommend picking up a copy of Volume One and listening to it as two separate halves (it compiles Tower of Silence and the Organum half of the NWW / Organum A Missing Sense / Rasa split single). From there, Ikon and Sphyx are both fine releases, if you can find them. All of Organum’s material is best when treated as abstract sound sculpture, and rewards a meditative frame of mind; it’s neither ambient wallpaper nor music in any traditional sense of the word.
*brrgblglabblgrrbl* *GASP* *brrglblrg*
The problem with drinking from a firehose is that sometimes you asplode. This just happened to me, and I’m trying to deal with it by sharing my total insanity with you, the semi-random passersby on the internet.
As I’ve mentioned several times, I recently discovered the awe-inspiring zombie amusement park that is Blogspot’s coterie of MP3 blogs. I’d never really paid them much attention before, because most of my exposure to MP3 blogs had been through dodgy Eastern European metal blogs that were dedicated to scene rips of upcoming releases, and I’m really not all that into pissing all over the people who make my favorite music, which is basically what these blogs are all about (somebody has to pay for music, somehow, if it’s going to continue to be made).
However, Mutant Sounds and its brethren opened my eyes to the vast amount of music that exists in a twilit state with respect to copyright; thanks to the Sonny Bono Copyright Term Extension Act™, most of the recordings shared via these blogs won’t be public domain until the end of this century – if ever – yet the vast majority of this material can be had neither via love, money, nor diligent browsing of GEMM. Most of the artists involved really don’t seem to care, as the bloggers are all pretty careful to avoid posting material that is readily available, and in some cases the creators send the blog owners better-quality recordings of their own material to replace inferior rips.
It didn’t help that one of the first of these blogs I discovered, dualtrack, has posted nearly every record I deeply coveted between 1989 and 1992. I sometimes forget that I got my start as a major music nerd through RE/Search’s Industrial Culture Handbook, but when I was learning about this stuff, I was also your average broke college kid and therefore could only read about these records in The Ooze’s monthly new-releases newsletter, saving up for stuff I really, really wanted, like :zoviet*france: reissues on CD or the occasional bizarre overindulgence. Now that I’m all grown up, most of those records, CDs and cassettes are beyond gone, appearing only in Amoeba’s used bins or on eBay (sometimes for plainly hurtful prices). It was with delight bordering on awe that I discovered that almost all of these records I’d been searching for for many, many years were freely available, generally with high-quality scans of the included artwork.
So, armed with a not entirely flimsy rationalization, a sense of burning need, and a month’s Premium subscription to Rapidshare, I went completely bonkers. Most of the stuff on this list came from either dualtrack, The Thing on the Doorstep, No Longer Forgotten Music, Rusted Noise, Mutant Sounds, Phoenix Hairpins, Boomkat, Amoeba and Other Music Digital. (NOTE TO RECORD LABEL FOLK: My copy of Amy Winehouse’s Back to Black is on a shiny aluminized plastic platter purchased new from Amoeba Records, with the latest lame cover art you have chosen for it. The original cover art was much nicer. Thank you for your attention.) A lot of it I even bought, as I took this opportunity to fill in long-standing gaps in my collection. As you can see, it would take me a very long time to even summarize what’s here, so I’m going to leave that to other postings. Suffice it to say that just about every weird kind of music you can imagine, and some you probably can’t (the Masstishaddhu record, in particular, defies description to anyone who hasn’t already heard it).
It’s going to take me weeks to listen to all this stuff, much less comprehend it. There’s a lot of amazing, weird and profound music in here.
- ABGS: Werkbeschallung: Live
- Abwärts: Amok Koma
- Gunter Adler: Minute Music
- Gunter Adler: Polysyntetica
- Gunter Adler: The Silver Book
- Ain Soph: Kshatriya
- Alpha Omega: Electronic Mind Project
- Au Revoir Simone: The Bird of Music
- Autonomic Computing: Mutantextures
- Henry Badowski: Life is a Grand
- Erykah Badu: New Amerykah, Part 1: 4th World War
- Biochemical Dread: Bush Doctrine
- Biota: Rackabones / Vagabones
- Bipol: Ritual
- Black Sun Ensemble: Black Sun Ensemble
- Blacworld: Subduing Demons (In South Yorkshire)
- Burning Witch: Crippled Lucifer
- Monte Cazazza: To Mom on Mother’s Day / Candy Man
- C-Schulz: 7. Party Disco
- C-Schulz: 10. Hose Horn
- Chrome: Alien Soundtracks
- Chrome: Half Machine Lip Moves
- Chrome: 3rd from the Sun
- Chrystal Belle Scrodd: The Inevitable Chrystal Belle Scrodd Record
- Coil / Zos Kia: Transparent
- Cold Sun: Dark Shadows
- Cosey Fanni Tutti: Time to Tell
- Cranioclast: A Con Cristal
- Cranioclast: Koitlaransk / Ration Skalk
- Crash Worship: This
- Crawling Chaos: Sex Machine / Berlin
- Helios Creed: X-Rated Fairy Tales / Superior Catholic Finger
- Crispy Ambulance: From the Cradle to the Grave
- Crispy Ambulance: Live on a Hot August Night
- Crispy Ambulance: Sexus
- Crispy Ambulance: The Plateau Phase
- Crispy Ambulance: Unsightly and Serene
- Crispy Ambulance: Live at the ICA
- Current 93 & HÖH: Crowleymass
- Current 93 / Nurse With Wound: Mi-Mort
- Daft Punk: Alive 2007
- Danava: UnonoU
- Danielle Dax: Pop-Eyes
- Danielle Dax: Jesus Egg That Wept
- Danielle Dax: Inky Bloaters
- Danielle Dax: The Janice Long Session
- Danielle Dax: Comatose Non Reaction: The Thwarted Pop Career
- Amy Denio: No Bones
- Dead Meadow: Old Growth
- Dethklok: The Dethalbum
- Die Form / Asmus Tietchens: Face to Face, Volume 1
- Die Form: Duality
- DF Sadist School: Les Cent Vingt Journées de Sodome
- Doxa Sinistra: Via del Latte
- Drowning Craze: Trance / I Love the Fjords
- Frankie Dymon, Jr.: Let It Out
- Earth: The Bee Made Honey In The Lions Skull
- Einstürzende Neubauten: Kollaps
- Einstürzende Neubauten: Zeichnungen des Patienten OT
- Elohim: A L’Aube Du Verseau
- Erste Weibliche Fleischergesellin Nach 1945: Ferien Auf Dem Lande
- Étant Donnés: Aurore
- Étant Donnés: L’eclipse
- Étant Donnés: Re-Up
- Etat Brut: Mutations et Protheses
- Exterminator: Anna Blume
- Factrix: Empire of Passion
- Factrix: Scheintot
- Fanzine: 1980
- Fanzine: 1981
- Fanzine: 1982
- File Under Pop: Heathrow
- Brigitte Fontaine & Areski: L’incendie
- Brigitte Fontaine & Art Ensemble of Chicago: Comme à la Radio
- Freiwillige Selbstkontrolle: Telinehmende Beobachtung
- The Fugs: First Album
- The Fugs: Second Album
- BC Gilbert & G Lewis: Ends With the Sea
- The Gothic Archies: The Tragic Treasury: Songs from “A Series of Unfortunate Events”
- Bruce Haack: Electric Lucifer: Book 2
- Bruce Haack: The Electric Lucifer
- Hanadensha: Acoustic Mothership
- Hanadensha: Astral Pigmy Wave
- Hanadensha: Doobie Shining Love
- Hip Hop Pantsula: YBA 2 NW
- Lars Hollmer: Fran Natt Idag
- Lars Hollmer: Vill Du Höra Mer
- Lars Hollmer: XII Sibirska Cyklar
- Hoola Bandoola Band: Fri Information
- Hoola Bandoola Band: Garanterate Individuell
- Hoola Bandoola Band: På Väg
- Hoola Bandoola Band: Vem Kan Man Lita På?
- The Horrorist: Attack Decay
- The Human League: Being Boiled
- The Human League: The Dignity of Labour
- Hunting Lodge: Tribal Warning Shot
- In the Woods…: Three by Seven on a Pilgrimage
- Islaja: Meritie
- Kallabris: Considération sur / sous lé café
- Richard H Kirk: Darkness at Noon
- Richard H Kirk: Disposable Half-Truths
- Kotazo: Papy Mbavu / Papa Komanda
- Korpiklaani: Korven Kuningas
- Korpiklaani: Spirit of the Forest
- Korpiklaani: Voice of Wilderness
- Lava: Tears Are Goin’ Home
- Thomas Leer & Robert Rental: The Bridge
- Lemon Kittens: Spoonfed and Writhing
- Lemon Kittens: The Big Dentist
- Lemon Kittens: We Buy a Hammer for Daddy
- Lesbian: Power Hor
- Liquid Sound Company: Exploring the Psychedelic
- Machinic Indices: Untitled Kompositions
- Malombra: Malombra
- Masstishaddhu: Shekinah
- Men/Eject: Men/Eject
- Metabolist: Drömm
- Metabolist: Hansten Klork
- Metabolist: Identify
- The Metronomes: Regular Guys
- Mimir: Mimir
- Mimir: Mimyriad
- Mnemonists: Biota
- Mnemonists: Horde
- Moctan: Suspect
- Morphogenesis: Prochronisms
- Mysticum: In the Streams of Inferno
- nEGAPADRÉS.3.3: nEGAPADRÉS.3.3
- Joanna Newsom: Walnut Whales
- Joanna Newsom: Yarn and Glue
- Nocturnal Emissions: Spiritflesh
- Non: Mode of Infection / Knife Ladder
- Nurse With Wound / Spasm: Creakiness / Firemoon
- Nurse With Wound / Termite Queen: Nurse With Wound / Termite Queen
- Nurse With Wound / Organum: A Missing Sense / Rasa
- Nurse With Wound: A Sucked Orange
- Nurse With Wound: Brained by Falling Masonry
- Nurse With Wound: Crocodile Krazy Glue
- Nurse With Wound: The Musty Odour of Pierced Rectums
- Opal: Early Recordings 2
- Orchestra Terrestrial: Here and Elsewhere
- Organum: Horii
- Organum: Ikon
- Organum: Sphyx
- Organum: Tower of Silence
- Michael O’Shea: Michael O’Shea
- La Otracina: Fauna & Animated Floral Arrangements
- P16.D4: Distruct
- P16.D4: Kühe in 1/2 Trauer
- Penumbra: Skandinavien
- Permutative Distorsion: Brückenkopf im Niemandsland
- Pitch Black Afro: Split Endz
- Eddie Prévost / Organum: Flayed / Crux
- Problemist: 9 Times Sanity
- Project 197: IP001
- Pseudo Code: Europa
- Psychic TV: Allegory & Self
- Psychic TV: Dreams Less Sweet
- Psychic TV: Force Thee Hand ov Chance / Blinded Eye in Thee Pyramid
- Psychic TV: Mouth of the Night
- Psychic TV: NY Scum
- Punch Inc.: Fightclub
- The Raveonettes: Lust Lust Lust
- Steve Reich: Music for 18 Musicians
- Steve Reich: Tehellim & The Desert Music
- Steve Reich: Triple Quartet
- Steve Reich: You Are (Variations) / Cello Counterpoint
- Robert Rental: On Location / Double Heart
- The Residents: (I Can’t Get No) Satisfaction
- The Residents: Commercial Single
- Graeme Revell: The Insect Musicians
- The Revolving Paint Dream: Flowers in the Sky: The Enigma of the Revolving Paint Dream
- Boyd Rice and Friends: Music, Martinis & Misanthropy
- Salon Music: La Paloma Show
- Sandoz: In Dub: Chapter Two / Extra Time (Under the Stones)
- Shock Headed Peters: I, Bloodbrother Be
- Shock Headed Peters: The Kissing of Gods
- Sielwolf: IV
- Sielwolf: Nachtstrom
- Sielwolf: V - Remixes
- Sigillum S: 23|20
- Sigillum S: Bardo Thos-Grol
- Sigillum S: Studs and Divinity
- Sixth Comm: Grey Years
- Smegma: 33 1/3
- SPK: Slogun / Meccano
- SPK: Live At Garibaldi’s, 1979
- SPK: Information Overload Unit
- SPK: Auto Da Fe
- SPK: Leichenschrei
- SPK: Angst Pop: Live
- SPK: From Science to Ritual
- SPK: Human Post Mortem (Despair OST)
- SPK: Live at Pandora’s Music Box
- SPK: Live at the Crypt
- SPK: No More
- SPK: Off the Deep End
- SPK: See-Saw / Chamber Musik
- SPK: The Last Attempt at Paradise: Live in Lawrence, Kansas
- SPK: Wars of Islam: Live in Rome
- SPK: Machine Age Voodoo
- SPK: Metal Dance / Will to Power
- SPK: In Flagrante Delicto
- SPK: Zamia Lehmanni
- SPK: Gold & Poison
- SPK: Compilation Tracks (2nd version)
- Snakefinger: Manual of Errors
- Snakefinger: Chewing Hides the Sound
- Snakefinger: Greener Posters
- Sol Invictus: Lex Talionis
- Somatic Responses: Digital Darkness
- Spektr: Mescalyne
- Sun Ra: HelioCentric Worlds, Volumes 1 & 2
- Sweet Exorcist: Spirit Guide to Low Tech
- Symphonique Elegance: Act One
- Syrup Girls vs Sick Girls: Shotgun Wedding, Volume 8
- Teenage Jesus & The Jerks: Orphans / Less of Me
- Thick Pigeon: Thick Pigeon
- Throbbing Gristle: AR-TT-010
- Throbbing Gristle: United
- Throbbing Gristle: DOA: The Third and Final Report
- Throbbing Gristle: Adrenaline
- Throbbing Gristle: 20 Jazz Funk Greats
- Throbbing Gristle: Nothing Short of a Total War
- Throbbing Gristle: Rafters
- Throbbing Gristle: CD1
- Tools You Can Trust: Again Again Again
- Tools You Can Trust: Say It Low
- Tools You Can Trust: Sharpen the Tools
- Trop Tard: Ils etaient 9 dans L’obscurite
- Tuxedomoon: Dark Companion / 59 To 1 Remix
- Tuxedomoon: Desire / No Tears
- Tuxedomoon: What Use? / Crash
- Tuxedomoon: Joe Boy The Electric Ghost / Pinheads on the Move
- Tuxedomoon: Une Nuit au Fond de la Frayére / Egypt
- Tuxedomoon: Scream with a View
- Tuxedomoon: Half-Mute / Scream With a View
- Tuxedomoon: Ship of Fools
- Tuxedomoon: The Ghost Sonata
- Týr: Ragnarok
- Ultravox: Slow Motion
- Vas Deferens Organization: Zyzzybaloubah
- Verhören: Death is Safe
- Vidna Obmana: Noise / Drone Anthology 1984-1989
- Virgin Prunes: Heresie
- Von Zamla: No Make Up!
- Vox Populi! / HNAS: Face to Face, Volume 2
- Amy Winehouse: Back to Black
- Xasthur: A Gate Through Bloodstained Mirrors
- Damien Youth: Festival of Death
- Damien Youth: Fluttering Briar
- Damien Youth: The Man Who Invented God
- Z’ev: Elemental Music
- Z’ev: Salts of Heavy Metals
- Stefan Weisser: Poextensions
- Zahgurim: Moral Rearmament
- Zero Kama: The Secret Eye of L.A.Y.L.A.H.
- Zos Kia Meets Sugardog: That’s Heavy Baby
- v/a: 2005 Hands
- v/a: 4 in 1
- v/a: Ach Hanover
- v/a: Angst in My Pants
- Alban Berg / Anton Webern / Arnold Schoenberg / James Levine / Berlin Philharmonic Orchestra: Orchestral Pieces
- v/a: Can You Hear Me? Music from The Deaf Club
- v/a: Colorado
- v/a: Dada > Antidada > Merz
- v/a: Devastate to Liberate
- v/a: Dokument: Ten Highlights in the History Of Popular Music, 1982-1983
- v/a: Earthly Delights
- v/a: The Elephant Table Album
- v/a: Er Ist Tief Und Dein Wasser Ist Dunkel
- v/a: Feature Mist
- v/a: Fluxus Anthology
- v/a: Für Ilse Koch
- v/a: A Gnomean Haigonaimean: A Compilation of Fantasies Intoxication Concepts
- v/a: Gut Level One
- v/a: Hare / Hunter / Field
- v/a: Harmony of the Spheres
- v/a: Hate’s Our Belief
- v/a: Iberico
- v/a: Internationalism
- v/a: The Last Supper
- v/a: Machines
- v/a: Masse Mensch
- v/a: Palatine: The Factory Story
- v/a: Passage du Trou Marin
- v/a: Perpetual State of Oracular Dream
- v/a: Riposte
- v/a: A Selection
- v/a: Short Circuit: Live at the Electric Circus
- v/a: The Virus Has Been Spread: A D-Trash Records Tribute To Atari Teenage Riot
Meritie
I’m no stranger to loose-limbed freak folk, where songs are more nuclei around which sounds coalesce than any sort of tightly knotted skeins of rhythm, melody and lyric, and perhaps it’s a consequence of spending much of the last week plundering the grand riches of the internet’s many fine MP3 blogs, but Islaja’s Meritie totally disorients me in a way I find very hard to understand or describe. Merja Kokkonen sings her Finnish lyrics in a sweetly meandering voice, engaging with the rest of the music (guitars, piano, various other noisemaking bits) in the way that a bird rides the gusts on a windy day. There’s nothing overtly challenging going on save for the songs’ very free structure, but that lack of structure means these are not songs so much as neatly arranged piles of musical ideas, and Kokkonen’s near-total refusal to engage with typical notions of songcraft lend her songs a hallucinatory, subversive power that makes me giddy and confused in equal measure. I’m not sure it’s beautiful, but it’s certainly sublime.
into the fierce bright light
Some things happened, and then they stopped happening, and here I am, back again, with a huge pile of new music to hear and perhaps the cleverest recording I’ve heard in a long time currently on the stereo. I’ll get to talking about the huge pile in a little bit, but I wanted to urge anyone who likes their out-rockin’ both clever and loud to go check out this awesome Nurse With Wound / Spasm split 12” at The Thing on the Doorstep (yet another way-too-awesome MP3 blog I’ve discovered).
Its ability to be musical and strange in equal measure frankly confuses me. One side features Steven Stapleton’s / Nurse With Wound’s usual high surrealism (although more linear and rhythmically coherent than usual), and the other is a slab of slowly building, hard-rockin’ tribal psychedelia that reminds me of the Krautrocked heaviness Julian Cope tries so hard to harness, or maybe Electric Wizard in a particularly blown state of mind. It gets genuinely heavy, and Stapleton’s predictably unpredictable interventions just ratchet up the intensity by throwing things in new directions every few phrases. It remains curiously unadorned and unsentimental for all that, and so it stands pleasantly outside of time, sounding like it could have come out at any time in the last 40 years. Nurse With Wound makes this kind of mercurial mutability seem so easy, but I know it’s anything but.
I’m going to have a terrible time trying to find a copy of this for myself (United Dairies vinyl is deeply collectible and hence tough to find), but I’d really like one.